Sunday, November 30, 2014
Thursday, November 27, 2014
Wednesday, November 26, 2014
More echo poems
SPOONS, NO LESS
Here, on the east fork of the Illinois
the water runs black with oak leaves
walls ache and clench with heat
nasturtiums whispered in the morning:
"frost."
Certainly, somewhere fall away spoons
have never been conceived of.
There the leaves stay put. Stop.
White like fading memory.
Forever moans with a slight wheeze.
Calendula! This night does not deserve you!
Oh yes, we have thought of spoons.
We have too plucked the leaves
from their perches; I'll show you,
Start now -- in this moment
the only moment
(we deserve it, if only this)
Posh. pish-posh. a pock
full of i-told-you-sos.
You've hid all the canaries
and now the sun is gone.
We will never finish the work
of refinding the bright.
And more.
ughhhhhhh i've empty pockets but
well-soled toes
and your chest is a-twitter, don't
deny, I see the light radiant
Put down your work, pick up your fork--
black hands, no less.
INTO THE MUD
The ditch does not dry well
The freeze has taken all but the
eaves
Faster time stops to further
forward
Tomorrow, we go home
The bitch does not fry well
The skeeze has bacon
all butt, # he grieves
Plaster rhyme mopes to tether
more words
Through sorrow be(come) poem
The snitch does not dwell.
Crying is bad.
Ass for days. A whole freezer
full of ass makes all
the babes say yay.
History follows the lines in
the fibers in the splinters of wood.
I laugh and shed air.
The rich cannot quell --
Well. Cry! be bad! no tomorrow!
"YAY" -- it passes for glaze
History?! burns like wet wood
I weep and weep my feet sinking into the mud.
Giving Up
Chimes down the alley
like women singing songs.
Dangerous. Don't follow.
They say pants are
made for wearing but I
seen them the breeze flow
through them like chimes.
I don't follow.
Hey baby, hey darlin, wanna take a ride
with me sleek swoop sweatmobile you
know you want it huh-nee so be kind
but don't lose your mind just remember
that I'm your bay-ay-ay-ay-bee-ee (come
a lil bit closer child)
take take take your fingers next
to me i lay down pretend to
need anything at all to keep me
here to keep me breathe a
sail a story a locket one glory.
gasp. The world is wide.
Ah. (rest)
It's yours. (rest)
No, really. (rest)
It's not (rest) up to me.
..
Do you ever wake up to a painless spine?
A smooth whip of angel's ivory.
The relief of standing up, of
never swaying, of taking one
easy long trip to a tall and comfortable place.
That's what I want.
Here, on the east fork of the Illinois
the water runs black with oak leaves
walls ache and clench with heat
nasturtiums whispered in the morning:
"frost."
Certainly, somewhere fall away spoons
have never been conceived of.
There the leaves stay put. Stop.
White like fading memory.
Forever moans with a slight wheeze.
Calendula! This night does not deserve you!
Oh yes, we have thought of spoons.
We have too plucked the leaves
from their perches; I'll show you,
Start now -- in this moment
the only moment
(we deserve it, if only this)
Posh. pish-posh. a pock
full of i-told-you-sos.
You've hid all the canaries
and now the sun is gone.
We will never finish the work
of refinding the bright.
And more.
ughhhhhhh i've empty pockets but
well-soled toes
and your chest is a-twitter, don't
deny, I see the light radiant
Put down your work, pick up your fork--
black hands, no less.
INTO THE MUD
The ditch does not dry well
The freeze has taken all but the
eaves
Faster time stops to further
forward
Tomorrow, we go home
The bitch does not fry well
The skeeze has bacon
all butt, # he grieves
Plaster rhyme mopes to tether
more words
Through sorrow be(come) poem
The snitch does not dwell.
Crying is bad.
Ass for days. A whole freezer
full of ass makes all
the babes say yay.
History follows the lines in
the fibers in the splinters of wood.
I laugh and shed air.
The rich cannot quell --
Well. Cry! be bad! no tomorrow!
"YAY" -- it passes for glaze
History?! burns like wet wood
I weep and weep my feet sinking into the mud.
Giving Up
Chimes down the alley
like women singing songs.
Dangerous. Don't follow.
They say pants are
made for wearing but I
seen them the breeze flow
through them like chimes.
I don't follow.
Hey baby, hey darlin, wanna take a ride
with me sleek swoop sweatmobile you
know you want it huh-nee so be kind
but don't lose your mind just remember
that I'm your bay-ay-ay-ay-bee-ee (come
a lil bit closer child)
take take take your fingers next
to me i lay down pretend to
need anything at all to keep me
here to keep me breathe a
sail a story a locket one glory.
gasp. The world is wide.
Ah. (rest)
It's yours. (rest)
No, really. (rest)
It's not (rest) up to me.
..
Do you ever wake up to a painless spine?
A smooth whip of angel's ivory.
The relief of standing up, of
never swaying, of taking one
easy long trip to a tall and comfortable place.
That's what I want.
Tuesday, November 25, 2014
Echo poems
This is surrealist poetry by eliot-n-fox in the style of call and echoing response. that is: one person scries, the other cries its opposite, and so on.
written in a small cabin filled with the anxious insanity of early late twenty-something, surrounded by a dark winter garden, surrounded by the quiet vigilance of pines, surrounded by an inky black sky, surrounded by a world at pains.
YOUR DEAD MOM IS HERE WITH ME
Speak slow, my bones are still waking up
I flash through the inter webs like neon panda and open all the windows
o p e n i n g
l i
g h
t s
t r
e a
m s
i n
myselftiny
hateways
i
I'M THE FUCKING BEST THING SINCE GOD AND I HATE ALL YOU HATERS CAUSE YOU DONT SEE IT
sh, i'm still asleep and
your dead mom is here with me.
TELL ME WHAT YOU WANT
Religious turmoil steers our fate.
Prodigious rock'n'roll leers at the gate.
Who goes there?
I do not know
your guitar Gods
hey sweetheart, it's me i miss you i love you
i'm sorry please forgive me it's me it's me
Get off the phone, Susan.
Eat your boogers and say your prayers.
get off on the phone, Susan--
yeah, yeah. eat em. yeah.
say it -- say it -- tell me what you really want
I HEAR THE GLASS EMPTY
Fawn settling into my belly,
lay low the fear-of-crazy
hermit's glee
esoteric rabbithole
down the fog-float-ing-on-the-pond,
i drink deeply
Empty tightening of
never knowing enough.
I get strung out on surrealism
daily. Strange. Satisfying. Say yes.
Silence. The one language we all speak.
My mouth is parched.
I'VE GOT IT I KNOW
I KNOW ENOUGH, I'M FULL
YOU THE STRANGE, YOU THE
STRUNG OUT
IT IS TIME WE SPEAK
THIRSTY MOUTHS WIDE
SAY (YES) SAY SAY
you don't need to scream.
sticks and stones make up my bones
and words are the dirt i eat.
here. drink some water.
written in a small cabin filled with the anxious insanity of early late twenty-something, surrounded by a dark winter garden, surrounded by the quiet vigilance of pines, surrounded by an inky black sky, surrounded by a world at pains.
YOUR DEAD MOM IS HERE WITH ME
Speak slow, my bones are still waking up
I flash through the inter webs like neon panda and open all the windows
o p e n i n g
l i
g h
t s
t r
e a
m s
i n
myselftiny
hateways
i
I'M THE FUCKING BEST THING SINCE GOD AND I HATE ALL YOU HATERS CAUSE YOU DONT SEE IT
sh, i'm still asleep and
your dead mom is here with me.
TELL ME WHAT YOU WANT
Religious turmoil steers our fate.
Prodigious rock'n'roll leers at the gate.
Who goes there?
I do not know
your guitar Gods
hey sweetheart, it's me i miss you i love you
i'm sorry please forgive me it's me it's me
Get off the phone, Susan.
Eat your boogers and say your prayers.
get off on the phone, Susan--
yeah, yeah. eat em. yeah.
say it -- say it -- tell me what you really want
I HEAR THE GLASS EMPTY
Fawn settling into my belly,
lay low the fear-of-crazy
hermit's glee
esoteric rabbithole
down the fog-float-ing-on-the-pond,
i drink deeply
Empty tightening of
never knowing enough.
I get strung out on surrealism
daily. Strange. Satisfying. Say yes.
Silence. The one language we all speak.
My mouth is parched.
I'VE GOT IT I KNOW
I KNOW ENOUGH, I'M FULL
YOU THE STRANGE, YOU THE
STRUNG OUT
IT IS TIME WE SPEAK
THIRSTY MOUTHS WIDE
SAY (YES) SAY SAY
you don't need to scream.
sticks and stones make up my bones
and words are the dirt i eat.
here. drink some water.
Friday, November 7, 2014
how being on the computer makes me feel kind of weird and empty and sad
standing still, it is impossible to see how things have changed so much.
from longing comes movement.
from movement comes the recognition of change.
small changes add up to small movement,
or perhaps not small at all.
a warm house, a cold day, quiet breathing,
reaching out for poetry--adrienne rich, marge piercy, t.s. eliot, rumi--
to locate myself in this ever-shifting world.
to remember, understand, anchor
the feeling of my body
filling with the light of the full moon.
did you know
that come
comes from the moon?
as life is becoming quieter
the voices in me become shriller.
perhaps this is anxiety, or fire.
i have filled my new small cabin with bins and boxes.
there is not space for all my books, so i will have to choose.
for hours, there is no sound unless i sing or speak aloud,
or the pings and pops of jar lids and things ready to fall from their perches.
i am afraid of getting lost. i am afraid
of the quiet incubating desperation of winter
of dreams without movement.
love, fear. fear, change. change, death. death, sex. sex, desire. desire, liberation. liberation, shame. shame, silence. silence, waiting. waiting, wanting. wanting, giving. giving, taking. taking, opening. opening, change.
change, love death fear death sex death desire liberation change waiting silence death shame opening giving love silence waiting fear taking opening change. sweet potatoes, woodstoves, pine pitch, bitter leaves, coconut oil, toothache, blankets, car exhaust, gasoline, cancer, collapse, elections, morning rituals, small songs, the moon my body the moon my body.
we are moving into the darkness now,
sun stealing away earlier and earlier,
even noon gray-dark with clouds.
missing times, longing times, quiet times,
dreaming times, visioning times, cozy times,
wishing times, deep times, learning times,
resting times, planning times, slow times.
so we dance--
around fires,
on wood floors,
in parking lots,
in the grocery stores,
in the waiting moments,
like our lives depend on it,
like we are dancing for the dead who long for the pleasure of being in a body.
from longing comes movement.
from movement comes the recognition of change.
small changes add up to small movement,
or perhaps not small at all.
a warm house, a cold day, quiet breathing,
reaching out for poetry--adrienne rich, marge piercy, t.s. eliot, rumi--
to locate myself in this ever-shifting world.
to remember, understand, anchor
the feeling of my body
filling with the light of the full moon.
did you know
that come
comes from the moon?
as life is becoming quieter
the voices in me become shriller.
perhaps this is anxiety, or fire.
i have filled my new small cabin with bins and boxes.
there is not space for all my books, so i will have to choose.
for hours, there is no sound unless i sing or speak aloud,
or the pings and pops of jar lids and things ready to fall from their perches.
i am afraid of getting lost. i am afraid
of the quiet incubating desperation of winter
of dreams without movement.
love, fear. fear, change. change, death. death, sex. sex, desire. desire, liberation. liberation, shame. shame, silence. silence, waiting. waiting, wanting. wanting, giving. giving, taking. taking, opening. opening, change.
change, love death fear death sex death desire liberation change waiting silence death shame opening giving love silence waiting fear taking opening change. sweet potatoes, woodstoves, pine pitch, bitter leaves, coconut oil, toothache, blankets, car exhaust, gasoline, cancer, collapse, elections, morning rituals, small songs, the moon my body the moon my body.
we are moving into the darkness now,
sun stealing away earlier and earlier,
even noon gray-dark with clouds.
missing times, longing times, quiet times,
dreaming times, visioning times, cozy times,
wishing times, deep times, learning times,
resting times, planning times, slow times.
so we dance--
around fires,
on wood floors,
in parking lots,
in the grocery stores,
in the waiting moments,
like our lives depend on it,
like we are dancing for the dead who long for the pleasure of being in a body.
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